I Could See Everything

"Like all my favorite art, these paintings bring out that covetous feeling. I want to wear them, dance to them, show them off as an example of how life feels to me: dirty, dumb, terrifying, spiritual, and so funny."-Miranda July "In a time of ironic detachment, Margaux Williamson is a painter of ex [...]
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"Like all my favorite art, these paintings bring out that covetous feeling. I want to wear them, dance to them, show them off as an example of how life feels to me: dirty, dumb, terrifying, spiritual, and so funny."-Miranda July "In a time of ironic detachment, Margaux Williamson is a painter of extreme candor, but the violence of her vision is cut with wonder and love. Sometimes she recalls Phillip Guston, sometimes she's like a Pittsburgh-born van Gogh; usually she reminds me of nobody at all. Seeing as she sees feels like waking up."-Ben Lerner From the artist the Toronto Star called "one of the best artists of her generation," and whose 2010 movie Teenager Hamlet was praised by the likes of James Franco and William Shakespeare scholar Stephen Greenblatt, comes a breakthrough work for a world where the image of a painting on one's desktop is as real as the painting hanging in the gallery. Margaux Williamson has conceived of a place that never existed, called The Road at the Top of the World Museum, located in the far north, and populated it with her most accomplished paintings yet.With essays by Chris Kraus, Leanne Shapton, David Balzer, and Mark Greif, and reproductions of eighty paintings, this, her first book, transcends the boundary between the authentic and the imaginary, and collapses the distinction between art show, museum catalog, and document of something astonishing that never was. Margaux Williamson was born in Pittsburgh, Pennsylvania, and lives in Toronto, Ontario. She's co-author of the cultural criticism website Back to the World.